Publications
Nam pretium turpis et arcu. Vivamus elementum semper nisi.
Articles
- Breel, A. (2024).
Meaningful Agency in Participatory Performance: a Contextual Approach.
Studies in Theatre and Performance (p1-22). - Malpass, A., Breel, A., Stubbs, J., Stevens, T., Maravala, P-J., Shipman, E., Banks Gross, Z, and Farr, M. (2023).
Create to Collaborate: using creative activity and participatory performance in online workshops to build collaborative research relationships.
Research Involvement and Engagement 9 (p111) - Breel, A. (2015a).
Aesthetic relationships and ethics in The Oh Fuck Moment.
Research in Drama Education: The Journal of Applied Theatre and Performance, 20(1), p39-49 (special issue on aesthetics and participation) - Breel, A. (2015b).
Audience agency in participatory performance: A methodology for examining aesthetic experience.
Participations: Journal of Audience & Reception Studies, 12(1), p368-387 (special issue on live audiences for theatre and dance) - Breel, A. (2011).
Emancipating the Spectator.
Platform Journal, 20(1), p39-49
Artistic Outputs
- Breel, A. and Stevens, T.
The Magic Trick.
Performed on Zoom to an international audience (2021-2023). 15 shows, with around 145 participants in total (capacity of each show was 12 to ensure an intimate and supportive experience). - Breel, A.
Playful evaluation games.
A series of online games (through Twine), 2020 - Breel, A.
The Experiment.
Performed in the School of Arts, Canterbury, 2015 - Breel, A.
The Dating Game.
Performed at Bluecoat, Liverpool; Bristol Old Vic; and greenroom, Manchester, 2010-2011 - Breel, A. (as part of Reactor).
Big Lizard’s Big Idea.
Performed at Krems, Austria; Wunderbar Festival, Newcastle; Schirn Kunsthalle, Frankfurt, 2009-2010 - Breel, A.
Own Me.
Performed at Battersea Arts Centre, London; the Trianon, Paris; greenroom, Manchester; Coachwerks, Brighton; and in residency at Manchester Metropolitan University’s Axis Arts Centre, Crewe, 2008-2010
Book chapters
- Breel, A.
Facilitating Narrative Agency in Experiential Theatre.
In Lewis, W. and Bartley, S. (2022). Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists. London: Routledge - Breel, A.
Agency. In Reason,
M. Connar, L. Johanson, K. and Walmsley, B. (2022). The Routledge Companion to Audiences and the Performing Arts. London: Routledge - Breel, A.
An Invitation to Collaborate.
In Vason, M. (2011). Still Image Moving. Blurb Inc
Co-curated journal section
- Breel, A., Newman, H. & Wilson, R. (2017).
Forum on the Art of Participation: A Curated Collection of Reflections, Explorations, and Instructions.
PARtake Journal, 1(2), p1-59